Table of Contents
Overview
The Review Winning entry from Claude.
All the results and awards are on a separate post
Sooo…. You’ve seen the Glastonbury 2025 Lineup and some bangers stand out… but as always you’re always scratching your head as to who some of the other acts are? Maybe there is a new favourite band or unmissable classic? I used GenAI to make them, and here is 🏆the best of the bunch: Claude 3.7 Sonnet🏆
The results are generated by AI so may contain errors. Check important info.
Glastonbury released their initial lineup on 6th March 2025.
📅 Friday 📅
| Artist | Genre | Launch Year | Country | Notable Works | Instruments | Brief Description |
|---|---|---|---|---|---|---|
| THE 1975 | Indie Rock, Pop Rock | 2002 | UK | “Somebody Else,” “Love It If We Made It,” “The Sound” | Guitars, Synthesizers, Drums | Innovative British band known for blending pop, rock, and electronic elements with thoughtful lyrics about modern life and culture. |
| LOYLE CARNER | Hip-hop, Jazz Rap | 2014 | UK | “Yesterday’s Gone,” “Not Waving, But Drowning,” “Isle of Arran” | Vocals, Beats | Introspective British rapper known for vulnerable, poetic lyrics about family, identity, and mental health. |
| BIFFY CLYRO | Alternative Rock | 1995 | Scotland | “Mountains,” “Many of Horror,” “Bubbles” | Guitars, Drums, Bass | Powerful Scottish rock trio known for combining heavy riffs with emotional lyrics and anthemic choruses. |
| ALANIS MORISSETTE | Alternative Rock, Pop Rock | 1991 | Canada | “Jagged Little Pill,” “Ironic,” “You Oughta Know” | Vocals, Guitar, Harmonica | Iconic singer-songwriter who defined 90s alternative rock with her raw, confessional lyrics and powerful vocal delivery. |
| BUSTA RHYMES | Hip-hop | 1989 | USA | “Put Your Hands Where My Eyes Could See,” “Break Ya Neck,” “Gimme Some More” | Vocals | Legendary rapper known for his rapid-fire delivery, dynamic energy, and animated persona. |
| MARIBOU STATE | Electronic, Downtempo | 2011 | UK | “Kingdoms in Colour,” “Fabric Presents,” “Portraits” | Synthesizers, Samplers, Drums | Electronic duo crafting lush, atmospheric soundscapes that blend organic and digital elements. |
| GRACIE ABRAMS | Indie Pop, Bedroom Pop | 2019 | USA | “Minor,” “This Is What It Feels Like,” “Mess It Up” | Vocals, Piano, Guitar | Vulnerable singer-songwriter known for intimate, diary-like lyrics and delicate melodies. |
| FOUR TET | Electronic, IDM | 1998 | UK | “New Energy,” “There Is Love in You,” “Rounds” | Samplers, Synthesizers, Electronics | Pioneering electronic producer known for blending organic sounds with innovative electronic production. |
| WET LEG | Indie Rock | 2019 | UK (Isle of Wight) | “Chaise Longue,” “Wet Dream,” “Ur Mum” | Guitars, Drums, Bass | Quirky indie rock duo known for their witty lyrics, post-punk influences, and infectious energy. |
| ANOHNI AND THE JOHNSONS | Art Pop, Chamber Pop | 1998 | USA/UK | “I Am a Bird Now,” “HOPELESSNESS,” “Cut the World” | Vocals, Piano, Orchestral Elements | Profound vocalist and composer creating deeply moving music centered on identity, environmentalism, and social justice. |
| BADBADNOTGOOD | Jazz, Hip-hop | 2010 | Canada | “IV,” “III,” “Sour Soul” (with Ghostface Killah) | Keyboards, Drums, Bass, Saxophone | Innovative instrumental quartet bridging jazz improvisation with hip-hop, electronic, and punk sensibilities. |
| BLOSSOMS | Indie Pop, Psychedelic Pop | 2013 | UK | “Foolish Loving Spaces,” “Blossoms,” “Cool Like You” | Guitars, Synthesizers, Drums | Catchy British band blending 80s-influenced synth-pop with indie rock sensibilities. |
| BURNING SPEAR | Reggae | 1969 | Jamaica | “Marcus Garvey,” “Man in the Hills,” “Calling Rastafari” | Vocals, Percussion, Horns | Legendary reggae artist and Rastafarian icon known for spiritual themes and cultural consciousness. |
| CMAT | Country Pop, Alternative Country | 2020 | Ireland | “If My Wife New I’d Be Dead,” “I Don’t Really Care for You” | Vocals, Guitar | Irish singer-songwriter blending country music with witty lyrics and pop sensibilities. |
| DENZEL CURRY | Hip-hop, Trap | 2011 | USA | “TA13OO,” “ZUU,” “UNLOCKED” | Vocals | Dynamic Florida rapper known for his versatile flow, punk energy, and genre-blending approach. |
| EN VOGUE | R&B, New Jack Swing | 1989 | USA | “Free Your Mind,” “Don’t Let Go,” “My Lovin’ (You’re Never Gonna Get It)” | Vocals | Iconic female vocal group known for their sophisticated harmonies, empowering messages, and fusion of R&B with funk and hip-hop. |
| ENGLISH TEACHER | Post-punk, Indie Rock | 2020 | UK | “Polyawkward,” “The World’s Biggest Paving Slab” | Guitars, Bass, Drums, Vocals | Rising UK band combining literary lyrics with angular post-punk instrumentation. |
| FATBOY SLIM | Big Beat, Electronic | 1996 | UK | “You’ve Come a Long Way, Baby,” “Praise You,” “Right Here, Right Now” | Samplers, Turntables, Electronics | Pioneering electronic producer and DJ known for his energetic performances and sample-based dance hits. |
| FAYE WEBSTER | Indie Folk, R&B | 2013 | USA | “Atlanta Millionaires Club,” “I Know I’m Funny haha” | Vocals, Guitar, Pedal Steel | Singer-songwriter blending folk, country, and R&B with dreamy production and intimate lyrics. |
| FLOATING POINTS | Electronic, Jazz Fusion | 2009 | UK | “Elaenia,” “Crush,” “Promises” (with Pharoah Sanders) | Synthesizers, Electronics, Piano | Producer and composer creating sophisticated electronic music that incorporates elements of classical, jazz, and ambient music. |
| FRANZ FERDINAND | Indie Rock, Post-punk Revival | 2002 | Scotland | “Take Me Out,” “Do You Want To,” “This Fire” | Guitars, Bass, Drums | Stylish Scottish band known for angular guitar riffs, dance-friendly rhythms, and art rock sensibilities. |
| GLASS BEAMS | Psychedelic Rock, Instrumental | 2021 | UK | “Glass Beams EP,” “Mahal” | Guitars, Drums, Synthesizers | Mysterious instrumental project blending psychedelic rock with electronic and world music influences. |
| INHALER | Indie Rock | 2016 | Ireland | “It Won’t Always Be Like This,” “Cuts & Bruises” | Guitars, Bass, Drums, Vocals | Energetic Irish rock band (featuring Bono’s son) creating anthemic guitar music with post-punk influences. |
| LOLA YOUNG | R&B, Soul | 2019 | UK | “After Midnight,” “Renaissance” | Vocals, Piano | Soulful British vocalist known for her powerful voice and emotionally direct songwriting. |
| MYLES SMITH | R&B, Soul | 2020 | UK | “Myles Away,” “Shelter” | Vocals, Guitar | Rising British singer-songwriter blending classic soul with contemporary R&B influences. |
| OSEES | Garage Rock, Psychedelic Rock | 1997 | USA | “Mutilator Defeated At Last,” “Orc,” “Floating Coffin” | Guitars, Drums, Synthesizers | Prolific and ever-evolving rock band known for their intense live performances and experimental approach. |
| PINKPANTHERESS | Dance, Drum and Bass, Bedroom Pop | 2021 | UK | “to hell with it,” “Boy’s a liar” | Vocals, Electronics | Innovative young producer and vocalist blending nostalgic UK garage and drum and bass with contemporary bedroom pop. |
| SELF ESTEEM | Pop | 2017 | UK | “Prioritise Pleasure,” “Compliments Please” | Vocals, Electronics | Former Slow Club member Rebecca Lucy Taylor’s solo project combining pop production with feminist themes and theatrical performance. |
| SUPERGRASS | Britpop, Alternative Rock | 1993 | UK | “I Should Coco,” “In It for the Money,” “Alright” | Guitars, Drums, Keyboards | Beloved Britpop band known for their energetic performances, catchy melodies, and mix of punk spirit with pop sensibilities. |
| VIEUX FARKA TOURÉ | Desert Blues, Malian Folk | 2006 | Mali | “Samba,” “The Secret,” “Fondo” | Guitar, Vocals | Acclaimed guitarist (son of Ali Farka Touré) blending traditional Malian music with blues, rock, and reggae influences. |
| WUNDERHORSE | Indie Rock, Alternative Rock | 2021 | UK | “Cub,” “Epidurals” | Guitars, Drums, Vocals | Project of former Dead Pretties frontman Jacob Slater, creating emotionally charged rock with grunge influences. |
📅 Saturday 📅
| Artist | Genre | Launch Year | Country | Notable Works | Instruments | Brief Description |
|---|---|---|---|---|---|---|
| NEIL YOUNG AND THE CHROME HEARTS | Folk/Rock | 2024* (Neil Young since 1960s) | Canada | “Harvest,” “Heart of Gold” (as Neil Young) | Guitar, harmonica, piano | Legendary singer-songwriter Neil Young with a new backing band (if this is indeed a new project) (✍️POH see additional info from Brave Xir Robin below) |
| CHARLI XCX | Hyperpop/Electronic | 2008 | UK | “Brat,” “Boom Clap,” “Vroom Vroom” | Vocals, synthesizers | Innovative pop artist known for avant-garde production and club-ready anthems |
| RAYE | R&B/Pop | 2014 | UK | “Escapism,” “My 21st Century Blues” | Vocals | Independent artist who found massive success after leaving major label constraints |
| DOECHII | Hip-hop/Rap | 2019 | USA | “What It Is,” “Persuasive” | Vocals | Dynamic rapper signed to Top Dawg Entertainment known for versatile flow and style |
| DEFTONES | Alternative Metal | 1988 | USA | “White Pony,” “Koi No Yokan” | Guitars, drums, vocals | Pioneering band blending metal with shoegaze and experimental elements |
| EZRA COLLECTIVE | Jazz/Afrobeat | 2012 | UK | “You Can’t Steal My Joy,” “Where I’m Meant To Be” | Horns, drums, keys | Award-winning jazz quintet fusing traditional jazz with Afrobeat and hip-hop |
| JOHN FOGERTY | Rock | 1960s | USA | “Proud Mary,” “Fortunate Son” (with CCR) | Guitar, vocals | Former Creedence Clearwater Revival frontman with iconic Americana sound |
| AMYL AND THE SNIFFERS | Punk | 2016 | Australia | “Comfort To Me,” “Hertz” | Guitar, drums, vocals | High-energy punk band led by charismatic vocalist Amy Taylor |
| AMAARAE | Afro-fusion/R&B | 2017 | Ghana | “Sad Girlz Luv Money,” “Fountain Baby” | Vocals | Genre-blending artist merging Afrobeats with alté, pop and R&B |
| BEABADOOBEE | Indie Rock | 2017 | UK/Philippines | “Fake It Flowers,” “Coffee” | Guitar, vocals | Bedroom pop artist turned indie rock star with 90s-influenced sound |
| BETH GIBBONS | Trip-hop/Experimental | 1991 | UK | “Dummy,” “Third” (with Portishead) | Vocals | Haunting vocalist best known as the singer of influential trip-hop group Portishead |
| BOB VYLAN | Grime/Punk | 2017 | UK | “We Live Here,” “Bob Vylan Presents the Price of Life” | Vocals, guitar, drums | Political duo blending punk aggression with grime production |
| BRANDI CARLILE | Americana/Folk | 2005 | USA | “The Joke,” “In These Silent Days” | Guitar, piano, vocals | Multiple Grammy-winning songwriter known for powerful vocals and storytelling |
| CARIBOU | Electronic | 2001 | Canada | “Our Love,” “Suddenly” | Synthesizers, drums | Project of Dan Snaith creating emotionally resonant electronic music |
| FATHER JOHN MISTY | Folk Rock | 2012 | USA | “I Love You, Honeybear,” “Pure Comedy” | Guitar, piano, vocals | Former Fleet Foxes drummer known for sardonic lyrics and theatrical performances |
| GARY NUMAN | Synth-pop/Industrial | 1978 | UK | “Cars,” “Are ‘Friends’ Electric?” | Synthesizers, vocals | Electronic music pioneer who transitioned from new wave to darker industrial sounds |
| GREENTEA PENG | Neo-soul/R&B | 2018 | UK | “MAN MADE,” “GREENZONE 108” | Vocals | Psychedelic soul artist with distinctive vocals and spiritual themes |
| JADE (Claude GenAI) | R&B/Pop | Unknown | Unknown | Unknown | Vocals | Insufficient information available (could be several artists with this name) |
| Jade (✍️POH) | Pop | 2024 | UK | “Angel Of My Dreams” | Vocals | Former Little Mix star, now breaking out on her own soulful terms – ⭐Rose-Colored Boy⭐ @ Discord OOFestivals #glasto-line-up-chat |
| JAPANESE BREAKFAST | Indie Rock | 2013 | USA | “Jubilee,” “Psychopomp” | Guitar, synthesizers, vocals | Project of Michelle Zauner featuring dreamy indie rock with personal lyrics |
| KAISER CHIEFS | Indie Rock | 2000 | UK | “I Predict a Riot,” “Ruby” | Guitar, drums, vocals | Energetic indie rock band known for catchy hooks and festival-ready anthems |
| KNEECAP | Hip-hop | 2017 | Northern Ireland | “C.E.A.R.T.A,” “3CAG” | Vocals | Irish-language rap trio known for political lyrics and rebellious attitude |
| LEFTFIELD | Electronic/Dance | 1989 | UK | “Leftism,” “Rhythm and Stealth” | Synthesizers, samplers | Pioneering electronic duo blending techno, dub and house influences |
| LUCY DACUS | Indie Rock | 2016 | USA | “Historian,” “Home Video” | Guitar, vocals | Thoughtful songwriter and member of supergroup boygenius |
| NICK LOWE | Rock/New Wave | 1970s | UK | “Cruel to Be Kind,” “(What’s So Funny ‘Bout) Peace, Love and Understanding” | Guitar, bass, vocals | Veteran songwriter, producer and performer from the pub rock and new wave eras |
| NOVA TWINS | Alt-Rock/Punk | 2014 | UK | “Supernova,” “Who Are The Girls?” | Guitar, bass, vocals | Energetic duo blending punk, grime and heavy music with political messaging |
| PA SALIEU | Rap/Afroswing | 2019 | UK/Gambia | “Send Them To Coventry,” “Frontline” | Vocals | Groundbreaking rapper mixing UK drill with West African influences |
| SCISSOR SISTERS | Pop/Disco | 2001 | USA | “Take Your Mama,” “I Don’t Feel Like Dancin’” | Vocals, guitar, keyboards | Flamboyant group blending disco, glam rock and pop, returning after hiatus |
| THE SCRIPT | Pop Rock | 2001 | Ireland | “The Man Who Can’t Be Moved,” “Hall of Fame” | Guitar, piano, vocals | Stadium-filling band known for emotional lyrics and radio-friendly sound |
| TV ON THE RADIO | Art Rock | 2001 | USA | “Dear Science,” “Return to Cookie Mountain” | Guitar, electronics, vocals | Experimental rock band blending post-punk with electronic and soul influences |
| WEEZER | Alternative Rock | 1992 | USA | “Blue Album,” “Pinkerton” | Guitar, drums, vocals | Influential rock band known for catchy melodies and nerdy persona |
| YUSSEF DAYES | Jazz/Fusion | 2015 | UK | “Black Classical Music,” “What Kinda Music” (with Tom Misch) | Drums | Innovative jazz drummer known for fusion of jazz with electronic and hip-hop elements |
GenAI Claude: *Note: Neil Young and the Chrome Hearts appears to be a new project or band name if it exists, as I don’t have specific information about this formation before my knowledge cutoff.
✍️POH: To answer the question on the top line, it’s not really a new band for Neil, it’s a mix of his previous bands. Rhythm section is from Promise of the Real who he’s played with loads over the last 10 years; 2nd guitarist is Micah Nelson, son of Willie, who played on the last Crazy Horse tour; and then organ from Spooner Oldham who’s played on various albums since Comes A Time in ’78 (having previously played with Aretha, Marvin Gaye, Etta James etc). – ⭐Brave Xir Robin⭐ @ Discord OOFestivals #glasto-line-up-chat
GenAI Claude: For the artist “JADE,” there are several musicians with this name, and without additional context, I can’t determine which specific artist is intended for the Glastonbury lineup.
📅 Sunday 📅
| Artist | Genre | Launch Year | Country | Notable Works | Instruments | Brief Description |
|---|---|---|---|---|---|---|
| OLIVIA RODRIGO | Pop, Pop Rock | 2020 | USA | “drivers license,” “good 4 u,” “SOUR” (album), “GUTS” (album) | Vocals, Piano | Former Disney star who shot to fame with confessional breakup songs, combining raw emotion with pop sensibilities. |
| ROD STEWART | Rock, Pop Rock, Folk | 1964 | UK | “Maggie May,” “Da Ya Think I’m Sexy,” “Sailing” | Vocals, Guitar | Iconic raspy-voiced singer with over five decades in music, known for seamlessly blending rock, folk, and pop styles. |
| THE PRODIGY | Electronic, Big Beat, Rave | 1990 | UK | “Firestarter,” “Breathe,” “Smack My Bitch Up” | Synthesizers, Samplers, Drums | Pioneering electronic dance act known for aggressive sounds and energetic live performances that bridged rave culture and rock attitude. |
| NOAH KAHAN | Folk Pop, Indie Folk | 2017 | USA | “Stick Season,” “Hurt Somebody,” “Busyhead” (album) | Vocals, Guitar | Folk-pop songwriter whose authentic lyrics about small-town life and mental health struggles have earned him a devoted following. |
| NILE RODGERS & CHIC | Disco, Funk, R&B | 1976 | USA | “Le Freak,” “Good Times,” “I Want Your Love” | Guitar, Vocals, Bass, Keyboards | Legendary producer/guitarist Nile Rodgers leads this funk-disco outfit known for infectious grooves and dance floor classics. |
| WOLF ALICE | Indie Rock, Alternative | 2010 | UK | “Don’t Delete the Kisses,” “Moaning Lisa Smile,” “Visions of a Life” (album) | Guitars, Vocals, Drums, Bass | Mercury Prize-winning band blending shoegaze, grunge, and folk influences with lead singer Ellie Rowsell’s versatile vocals. |
| JORJA SMITH | R&B, Soul, Jazz | 2016 | UK | “Blue Lights,” “Be Honest,” “Lost & Found” (album) | Vocals | Soulful vocalist who combines classic R&B influences with contemporary production and introspective, socially conscious lyrics. |
| OVERMONO | Electronic, UK Bass, Techno | 2016 | UK | “So U Kno,” “Diamond Cut,” “Cash Romantic” (album) | Synthesizers, Drum Machines, Samplers | Electronic duo formed by brothers Tom and Ed Russell creating sophisticated, emotive club music that spans techno, garage, and bass. |
| THE LIBERTINES | Indie Rock, Post-punk revival | 1997 | UK | “Can’t Stand Me Now,” “Don’t Look Back Into The Sun,” “Time for Heroes” | Guitars, Vocals, Drums, Bass | Influential indie rock band led by Pete Doherty and Carl Barât known for their romantic, poetic lyrics and chaotic energy. |
| AJ TRACEY | Grime, UK Rap, Trap | 2015 | UK | “Ladbroke Grove,” “Packages,” “Flu Game” (album) | Vocals | Versatile West London rapper who evolved from grime to incorporate multiple styles including UK drill, trap, and even garage influences. |
| BLACK UHURU | Reggae | 1972 | Jamaica | “Shine Eye Gal,” “Guess Who’s Coming to Dinner,” “Red” (album) | Vocals, Guitar, Bass, Drums | Grammy-winning reggae group known for their harmony vocals and pioneering use of electronic elements within traditional reggae. |
| CELESTE | Soul, Jazz, R&B | 2016 | UK | “Strange,” “Stop This Flame,” “Not Your Muse” (album) | Vocals | Brit Award-winning soul singer with a distinctively deep, smoky voice crafting timeless ballads that recall classic jazz and soul. |
| CYMANDE | Funk, Jazz, Reggae | 1971 | UK | “Bra,” “The Message,” “Dove” | Guitar, Bass, Drums, Percussion, Saxophone | Cult British funk collective blending Caribbean, jazz, and African rhythms who found renewed popularity through hip-hop sampling. |
| DANILO PLESSOW | House, Electronic, Jazz | 2007 | Germany | Motor City Drum Ensemble releases, “Raw Cuts” series | Turntables, Drum Machines, Synthesizers | Producer known for soulful house music that samples obscure disco and jazz records, performing as Motor City Drum Ensemble. |
| DJO | Psychedelic Pop, Synth Pop | 2018 | USA | “Twenty Twenty” (album), “DECIDE” (album), “End of Beginning” | Synthesizers, Vocals, Guitar | Musical project of actor Joe Keery (of Stranger Things fame) creating retro-futuristic synth-pop with psychedelic touches. |
| FUTURE ISLANDS | Synth Pop, Indie Pop | 2006 | USA | “Seasons (Waiting on You),” “For Sure,” “Singles” (album) | Synthesizers, Bass, Vocals, Drums | Indie band known for frontman Samuel T. Herring’s passionate vocals and distinctive dance moves over propulsive synth arrangements. |
| GIRL IN RED | Indie Pop, Bedroom Pop | 2016 | Norway | “i wanna be your girlfriend,” “Serotonin,” “if i could make it go quiet” (album) | Guitar, Vocals, Synthesizers | Stage name of Marie Ulven, known for honest songs about mental health and queer experiences with lo-fi indie pop production. |
| GOAT | Psychedelic Rock, World Music | 2012 | Sweden | “World Music” (album), “Commune” (album), “Requiem” (album) | Guitars, Percussion, Vocals, Various African instruments | Masked collective blending psychedelic rock with world music influences, performing in colorful masks and costumes. |
| JOY CROOKES | R&B, Soul, Jazz | 2017 | UK | “Skin” (album), “Don’t Let Me Down,” “Feet Don’t Fail Me Now” | Vocals | London-based singer-songwriter of Bangladeshi-Irish heritage crafting soulful songs that explore cultural identity and personal relationships. |
| KAE TEMPEST | Spoken Word, Hip-Hop, Poetry | 2011 | UK | “The Book of Traps and Lessons” (album), “Let Them Eat Chaos” (album) | Vocals | Award-winning poet, novelist and musician delivering powerful spoken word performances over atmospheric electronic production. |
| KATY J PEARSON | Indie Folk, Country Pop | 2019 | UK | “Return” (album), “Sound of the Morning” (album), “Take Back the Radio” | Vocals, Guitar | Singer-songwriter blending country, folk and indie pop with distinctive vocals and nostalgic Americana influences. |
| PARCELS | Disco, Funk, Pop | 2014 | Australia | “Overnight,” “Tieduprightnow,” “Hideout” (album) | Guitar, Bass, Keyboards, Vocals, Drums | Australian five-piece based in Berlin creating sophisticated disco-funk with impeccable harmonies and retro-futuristic production. |
| PAWSA | Tech House, House | 2013 | UK | “Going Down,” “Groovy Cat,” “The Groove” | DJ Equipment, Production Software | London-based DJ and producer known for rolling tech house tracks with distinctive chunky basslines and minimal elements. |
| ROYEL OTIS | Indie Rock, Dream Pop | 2021 | Australia | “Sofa King,” “Going Kokomo,” “Oysters In My Pocket” | Guitar, Vocals, Drums, Synthesizers | Rising Australian duo creating breezy, nostalgic indie rock with surf and psychedelic influences. |
| SHABOOZEY | Country Trap, Hip-Hop | 2015 | USA | “A Bar Song (Tipsy),” “Way Down South,” “Where I’ve Been, Isn’t Where I’m Going” (album) | Vocals | Nigerian-American artist blending country music with hip-hop and R&B elements, gaining prominence after featuring on Beyoncé’s “Cowboy Carter.” |
| SNOW PATROL | Alternative Rock, Indie Rock | 1994 | Northern Ireland/Scotland | “Chasing Cars,” “Run,” “Eyes Open” (album) | Guitar, Vocals, Piano, Drums, Bass | Anthemic rock band known for emotional ballads and uplifting choruses that became fixtures of 2000s alternative radio. |
| SPRINTS | Post-Punk, Noise Rock | 2019 | Ireland | “The Cheek,” “Literary Mind,” “A Modern Job” (album) | Guitar, Vocals, Bass, Drums | Dublin-based band delivering urgent post-punk with politically charged lyrics and razor-sharp guitar work. |
| ST. VINCENT | Art Rock, Indie Rock | 2007 | USA | “Masseduction” (album), “Strange Mercy” (album), “Digital Witness” | Guitar, Vocals, Keyboards | Innovative guitarist Annie Clark combines theatrical performances with genre-bending compositions and meticulous production. |
| THE BIG MOON | Indie Rock | 2014 | UK | “Walking Like We Do” (album), “Juliette Jackson” (album), “Your Light” | Guitar, Vocals, Bass, Drums | All-female indie rock quartet creating harmony-rich guitar pop with a mix of 90s nostalgia and contemporary indie sensibilities. |
| THE BRIAN JONESTOWN MASSACRE | Psychedelic Rock, Shoegaze | 1990 | USA | “Tepid Peppermint Wonderland” (compilation), “Take It from the Man!” (album) | Guitar, Vocals, Drums, Various | Cult psychedelic band led by Anton Newcombe known for prolific output, 60s influences, and the documentary “Dig!” documenting their rivalry with The Dandy Warhols. |
| THE MACCABEES | Indie Rock | 2004 | UK | “Given to the Wild” (album), “Marks to Prove It” (album), “Toothpaste Kisses” | Guitar, Vocals, Drums, Bass | Beloved British indie band (disbanded in 2017 but possibly reuniting) known for evolving from jangly indie pop to atmospheric, complex rock. |
| THE SELECTER | 2 Tone Ska | 1979 | UK | “On My Radio,” “Missing Words,” “Too Much Pressure” (album) | Vocals, Guitar, Bass, Drums, Saxophone, Trumpet | Pioneering multiracial ska revival band led by Pauline Black combining punk energy with Jamaican ska rhythms and socially conscious lyrics. |
| TURNSTILE | Hardcore Punk, Post-Hardcore | 2010 | USA | “GLOW ON” (album), “Time & Space” (album), “MYSTERY” | Guitar, Vocals, Drums, Bass | Genre-defying hardcore band incorporating elements of funk, alternative rock, and shoegaze into aggressive yet melodic compositions. |
I’ve created a comprehensive table with information about all the artists you mentioned. The table includes their musical genres, when they launched their careers, countries of origin, notable works, instruments used, and brief descriptions that capture their essence.
Some notes on the information:
For newer artists like Royel Otis or Shaboozey, the information reflects what was known up to my cutoff date.
For long-standing acts like Rod Stewart or The Selecter, I’ve focused on their most defining characteristics and works.
Some bands like The Maccabees had disbanded prior to my knowledge cutoff but might have reunited for this festival.
Would you like me to focus on any particular aspect of these artists or provide more detailed information about specific ones?
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